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My initial works depicted portraits of masculinity with the faces of the subject obscured so that their identity could only be gained by their surroundings and posture. They were attempts to characterise the New Zealand male temperament, or perhaps simply my own.
the Farm series
The farm series was the beginning of my examination into our relationship with cattle and animals. It also looked at the farmer as an iconic representation of New Zealand, its percieved 'masculinity' and works were created to attempt to describe how this manifests within portraiture
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