Displayed here are artworks fresh from the studio and going back many years. As a new work is completed, it's added (see new work via the filter: New Artworks). To search all of the artworks by content, select a filter by Genre or  by Year,  from the present back to before 2014 and further. 

Displayed here are the most recent exhibitions, projects and group shows with the paintings displayed in their exhibition grouping.

This section chronicles my connection with the Pestfree movement in New Zealand. The text and images trace my journey in the development of the Battleline series from it's instigation until today and the works that have been inspired by it.

As well as my daily painting practice I have set aside time over the last few years to spend in developing new ideas, creating new directions for future paintings or following an idea just because it intrigued. They are shown in order of the year they were created. 


A chronology of past group and solo exhibitions .

For me, to be a creator is to be continually awakening.. to assess and reassess everything I thought I knew in a given moment.. it’s not a secure or comfortable place, it's a raw connection to dawning comprehension mixed with a feeling of wild discovery

My process from the concept charcoal and acrylic drawings  and how I develop it further to realise the composition, the contents possible interpretations (which can stimulate further ideas) and how the painting might be tackled.

Works in progress as they develop, come back to see new stages as they are cmpleted

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Welcome to our shop. You can sort the images into categories to make them easier to view by their content, title or orientation. Purchase open, premium and limited edition reproductions and send them anywhere in the world - from our studio right to your doorstep.

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In the Art Collectors section you will have access to the original paintings as they develop.  Be able to watch them progress, comment and purchase the original paintings as well as the studies and drawings that lead up to the completed artwork. 

This is my Instagram feed. Here I post images, sketches, works in progress, painting ideas, studies as they progress from concept into finished artworks and prints. There are also a few videos from behind the scenes and I plan to add more in the future...

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Exhibition History


  • TENT - Foenander Gallery (group exhibition)


  • Island Nation - Foenander Gallery  (solo show)

  • Semicolon - Unlimited Potential Real Estate, Herne Bay  & Foenander Gallery (group exhibition)


  • Pocket Edition - NorthArt Gallery  (group exhibition)

  • For the Birds - Foenander Gallery  (solo show)

  • Drawings and Works on Paper - NorthArt Gallery  (group exhibition)

  • Small Works Salon - NKB Gallery  (group exhibition)


  • Lands End - NKB Gallery  (solo show)

  • Pocket Edition - NorthArt Gallery  (group exhibition)

  • Animals - NorthArt Gallery  (group exhibition)

  • Rock, Paper, Scissors - NKB Gallery  (group exhibition)

  • Paper  - NorthArt Gallery  (group exhibition)


  • Archipelago - NKB Gallery  (solo show)

  • Estranged - Depot Artspace.  (group exhibition)

  • MAGS Fine Art Show - Mount Albert Grammar School  (fundraising exhibition)

  • Pocket Edition - NorthArt Gallery  (group exhibition)

  • Drawings - NorthArt Gallery  (group exhibition)

  • Artist's Self Portraits - NorthArt Gallery  (group exhibition)

  • 40th RSM Plunket Art Show - Aigantighe Art Gallery Gallery  (charity exhibition)


  • Water & Oil - NKB Gallery  (solo show)

  • A Day on the Farm - Waiheke Island Gallery (group exhibition)

  • Choc-a-bloc - Auckland Gallery  (group exhibition)

  • Member's Show - NorthArt Gallery  (group exhibition)

  • Landscape Without Birds - 100 Days Project​


  • Life.Still - 100 Days Project

  • Mairangi Arts Centre - 1st Prize for Painting (Art Award)

  • Kiwiana Christmas - Waiheke Art Gallery (group exhibition)

  • Tangled Up In Blue - NKB Gallery (group exhibition)

  • Autumn Collection -  Parnell Gallery (group exhibition)


  • 300 x 300 x 300 - 300 x 300 x 300 (group exhibition)

  • Art Of Courage - Longview Gallery  (charity exhibition)

  • The Figure in art - Uxbridge Creative Centre (group exhibition)

  • 10 Years -   The Artist's Room  (group exhibition)

  • Adam Portrait Award -   New Zealand Portrait Gallery  (finalist - people's choice)

  • Molly Morpeth Canaday Art Award -   Whakatāne Exhibition Centre  (finalist)

  • RDNZ -   Percy Thomson Gallery  (group exhibition)

selfportrait with inspiration artists as paint by numbers


the Artist as Model

Paintings where the likeness of the artwork was myself. This is often due to a lack of an available model, but with these particular works the 'self' in the portrait is an attempt to capture a little character study of myself with the content and context. To express my inner self as well as my outward appearance. 

Private Property

91 x 91 cm, oil on board, 2007, sold

Part of my exploration into my masculine identity is to illustrate the constructed barriers of my self-protection. This self-portrait both invites and repels; the door is open but it is I that decides who may pass.


91 x 91 cm, oil on board, 2007, sold

Another painting explorating my masculine identity.

Man of Steel

oil on steel with laser-cut corten, 2007, sold

This work was created by drawing an outline shape and having it laser-cut from steel and (the coat) corten steel.  The figure is prepared steel painted with oils and the corten coat was roughy sanded and splashed with water to begin the oxidization process, Containers are made from corten,  which was developed to eliminate the need for painting as the steel surface  oxidizes, halting the rusting process below. The tarnished look pictured was created at the conception of the work, it will have rusted much more by now.  A theme of my early work was the exterior dressings of masculinity of the New Zealand male (The title is ironic).

I have collected this small piece of text and am no longer sure as to where I came across it, or if perhaps I wrote it myself. I tend to write small phrases down on scraps of paper, sketches or my iPad, something interesting heard or read. I usually try to ascribe the author at the moment of composition - but in this case I didn’t and the genesis of this text is lost.. nevertheless the words are a good response as to why painting is inspirational for me:


“…the idea behind a particular painting is not visible in the painting, in the same way an idea is not visible to the eye. The eye can see what the picture represents, but what it represents are the things that result from the process of thinking. Ideas are mental”


If this was lifted from a book; thanks be to the author. I have always felt that painting is a conceptual process; beginning with an idea long before the brush and paint are applied to canvas. My work is surreal, whimsical and full of  fiction -  because my mind is. I attempt to convey empirical experience, not by a visual relationship to the real world, but by attempting to create perceptual signals within a painting that convey my idea of our relationship to ourselves to each other and to the world, and these begin in the subconscious and the mind.


My head needs to be kept busy, to be constantly distracted… if it isn’t - thoughts start churning upon themselves, creating and destroying my thinking process until I find it almost difficult to tell fact from fiction. I have, at times, had to utilise a personal truism to deal with this... “Only deal with what is real”. This simple phrase has helped me to focus on what’s important rather than get caught up by the imaginary or by a distraction. Another mechanism to scratch this itch is to paint. Painting draws inspiration from that restless part of my mind and allows me the freedom to create and destroy on a canvas - so that I don’t do it to the rest of my life!


Strong influences in my life have been Rosalie Smith, who was the first to really encourage me when I began dabbling with my paints at a young age, Charlie Rose, Ron Elliott and Mark Tamagni who each gave me more to think about than what I could see with my own eyes and Leanne, my wife, a constant muse and commenter upon my work as it manifests in my head as well as the studio. Without her support, conversation and questioning,  I could not have sustained my practice and my misguided thoughts would have won out long ago.

Pieces of me

18 x 18 cm x 100, mixed media on 100 individual boards, 2013

Part of my 100 Days Project.

Have a look at the full process of the project here and use the slider to construct and/or deconstruct each days progress.

The Masters Apprentice

70 x 70cm, oil and enamel on board

A self portrait paying homage to the artists that instructed me with their practice, and the masterpiece creations they produced. The concept is that of a paint by numbers with the numbers being substituted with the name of an artist that I admire. The title describes the process of learning from studying the works of contemporary artists as well as the great artists of history.

the Studio