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In able to capture a portrait of a group of people I abandoned the attempt to capture a likeness of a face and instead focused upon content and character to describe the subject. The outside surface can be seen but the interior is always hidden from view
the Farm series
The farm series was the beginning of my examination into our relationship with cattle and animals. It also looked at the farmer as an iconic representation of New Zealand, its percieved 'masculinity' and works were created to attempt to describe how this manifests within portraiture
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